Critical Refugee Studies

Departures supports, contextualizes, and advances the field of critical refugee studies by providing a capacious account of its genealogy, methods, and key concepts as well as its premises, priorities, and possibilities. The book outlines the field's main tenets, questions, and concerns and offers new approaches that integrate theoretical rigor and policy considerations with refugees' rich and complicated lived worlds. It also provides examples of how to link communities, movements, networks, artists, and academic institutions and forge new and humane reciprocal paradigms, dialogues, visuals, and technologies that replace and reverse the dehumanization of refugees that occurs within imperialist gazes and frames, sensational stories, savior narratives, big data, colorful mapping, and spectator scholarship. This resource and guide is for all readers invested in addressing the concerns, perspectives, knowledge production, and global imaginings of refugees.

"Exploring "refuge" and "refugee" as concepts that shape Canadian nation-building both within and beyond national borders, Refugee States takes an interdisciplinary and critical approach to describing how refugees articulate their relation to and defiance of official discourses. Through close examinations of refugee movements, contexts, and subjectivities, this collection reveals how Canada has relied upon the rejection and inclusion of refugees as a crucial means of statecraft. Bringing together renowned and emerging scholars from multiple disciplines, Nguyen and Phu illuminate the historical, political, and cultural conditions that produce refugees as well as the narrative of humanitarian benevolence that persists nationally and internationally.

I didn’t know I was missing it until I had it. The “it” here refers to the profound intellectual companionship forged with members of the Critical Refugee Studies Collective (CRSC) as we bring our whole refugee selves—our family secrets, memory gaps, and private grief as well as our creative energy, critical thinking, and improvised practices—to the work of building a field of study for and with displaced human beings.

'Rethinking Refugees' examines the ways in which refugees have been made objects of the complex discourse, practices, and strategies of humanitarianism making visible the link between our knowledge of refugees and questions about the changing status of political power, space, and identity.

A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. In a world increasingly shaped by displacement and migration, refuge is both a coveted right and an elusive promise for millions. While conventionally understood as legal protection, it also transcends judicial definitions. In Lived Refuge, Vinh Nguyen reconceptualizes refuge as an ongoing affective experience and lived relation rather than a fixed category with legitimacy derived from the state.   Focusing on Southeast Asian diasporas in the wake of the Vietnam War, Nguyen examines three affective experiences--gratitude, resentment, and resilience--to reveal the actively lived dimensions of refuge. Through multifaceted analyses of literary and cultural productions, Nguyen argues that the meaning of refuge emerges from how displaced people negotiate the kinds of safety and protection that are offered to (and withheld from) them. In so doing, he lays the framework for an original and compelling understanding of contemporary refugee subjectivity.

Applying a transnational feminist lens to refugee studies, we introduce the concept of feminist refugee epistemology, which posits that gendered displacement is not only about social disorder and interruption but also about social reproduction and innovation. Fusing the critical with the creative, we conceptualize refugee artwork as a critical practice that allows for new forms of knowledge that would otherwise not be produced or shared. In this article, we analyze the artworks of Vietnamese and Syrian women artists—Trinh Mai Thach, Nisrine Boukhari, Tiffany Chung, and Foundland (Ghalia Elsrakbi and Lauren Alexander)—whose installations and paintings capture the fluidity and dynamism of time and space and connect contemporary displacement from Vietnam and Syria to Western interventions in the regions.

A Finalist for the 2019 Kirkus Prize in Nonfiction "Nayeri combines her own experience with those of refugees she meets as an adult, telling their stories with tenderness and reverence." --The New York Times Book Review "Nayeri weaves her empowering personal story with those of the 'feared swarms' . . . Her family's escape from Isfahan to Oklahoma, which involved waiting in Dubai and Italy, is wildly fascinating . . . Using energetic prose, Nayeri is an excellent conduit for these heart-rending stories, eschewing judgment and employing care in threading the stories in with her own . . . This is a memoir laced with stimulus and plenty of heart at a time when the latter has grown elusive." --Star-Tribune (Minneapolis) Aged eight, Dina Nayeri fled Iran along with her mother and brother and lived in the crumbling shell of an Italian hotel-turned-refugee camp. Eventually she was granted asylum in America. She settled in Oklahoma, then made her way to Princeton University. In this book, Nayeri weaves together her own vivid story with the stories of other refugees and asylum seekers in recent years, bringing us inside their daily lives and taking us through the different stages of their journeys, from escape to asylum to resettlement. In these pages, a couple fall in love over the phone, and women gather to prepare the noodles that remind them of home. A closeted queer man tries to make his case truthfully as he seeks asylum, and a translator attempts to help new arrivals present their stories to officials. Nayeri confronts notions like "the swarm," and, on the other hand, "good" immigrants. She calls attention to the harmful way in which Western governments privilege certain dangers over others. With surprising and provocative questions, The Ungrateful Refugee challenges us to rethink how we talk about the refugee crisis. "A writer who confronts issues that are key to the refugee experience." --Viet Thanh Nguyen, Pulitzer Prize-winning author of The Sympathizer and The Refugees