Song for Cesar

SINGING OUR WAY TO FREEDOM chronicles the life and music of Ramon “Chunky” Sanchez from his humble beginnings as a farmworker in Blythe, California to the dramatic moment when he received one of his nation’s highest musical honors at the Library of Congress in Washington DC. As a young man in the 1970s, Chunky joined the picket lines in California and became Cesar Chavez’s favorite musician. His journey is a remarkable lens on a time when young Mexican Americans became Chicanos. Chunky learned how to employ humor, honesty and music to inspire folks to stand up and speak truth to power. His arc of transformation from marginalized farm kid to charismatic social activist shows how one person can mobilize people to change the world, reminding us that the battle for freedom has to be fought anew by every generation.

Surveys the contemporary Chicano art movement by tracing its development during the height of Chicano political activism in the late sixties and seventies, blending archival footage with interviews with the artists and samples of their work, including photos, murals, graphics, films, paintings, and ephemeral art. In explaining how the socio-political climate and events such as the Chicano Moratorium, the United Farm Workers struggle, and political prisoners' defense campaigns influenced their art, the artists also discuss related issues such as Mexican-Americans' struggle for civil rights and their quest for ethnic identity amid a bilingual and bi-cultural community

A groundbreaking look at how Chicano graphic artists and their collaborators have used their work to imagine and sustain identities and political viewpoints during the past half century. ¡Printing the Revolution! explores the remarkable legacy of Chicano graphic arts relative to major social movements, the way these artists and their cross-cultural collaborators advanced printmaking methods, and the medium's unique role in shaping critical debates about U.S. identity and history. From satire and portraiture to politicized pop, this volume examines how artists created visually captivating graphics that catalyzed audiences. Posters and prints announced labor strikes and cultural events, highlighted the plight of political prisoners, schooled viewers in Third World liberation movements, and, most significantly, challenged the invisibility of Mexican Americans in U.S. society.

This book celebrates Carlos Almaraz, one of the most influential Los Angeles artists of the 1970s and 1980s. Playing with Fire: Paintings by Carlos Almaraz is the first full length monograph devoted to an artist known for both his politically engaged cultural production as well as his vibrant, highly sought-after studio art, particularly his scenes of car crashes and pastoral depictions of L.A.'s Echo Park. Among the leading figures whose artistic, cultural, and political motivations catalyzed the Chicano Art movement in the 1970s, Almaraz began his career with works for the United Farm Workers and cofounded the important artists collective Los Four.

The performances of Luis Valdez's El Teatro Campesino, the farmworkers' theater, and Amiri Baraka's (LeRoi Jones's) Black Revolutionary Theater (BRT) during the 1960s and 1970s, offer preeminent examples of social protest theater during a momentous and tumultuous historical juncture. The performances of these groups linked the political, the cultural, and the spiritual, while agitating against the dominant power structure and for the transformation of social and theatrical practices in the U.S. Founded during the Delano Grape Pickers' Strike and Black Power rebellions of the mid-1960s, both El Teatro and the BRT professed cultural pride and group unity as critical corollaries to self-determination and revolutionary social action.

Born in 1965 as an organizing tool within César Chávez's United Farm Workers union, El Teatro Campesino became the premier Chicana/o performance ensemble to emerge out of the Chicano movement of the 1960s and 1970s. This study demythologizes and reinterprets the company's history from its origins in California's farm labor struggles to its successes in Europe and on Broadway until the disbanding of the original collective ensemble in 1980 with the subsequent adoption of mainstream production techniques.

This album by Joe Glazer, labor's troubador, was created in 1981 to celebrate the 100th anniversary of the modern American labor movement.

This book works to 'make change strange' from and for the field of theatre and performance studies. Growing from the idea that change is an under-interrogated category that over-determines theatre and performance as an artistic, social, educational, and material practice, the scholars and practitioners gathered here (including specialists in theatre history and literature, educational theatre, youth arts, arts policy, socially invested theatre, and activist performance) take up the question of change in thirty-five short essays.

The story of one musician's journey to discover how music can be used as a political tool, for good and bad.

The major objective of this collection of 28 essays is to analyze the trends, musical formats, and rhetorical devices used in popular music to illuminate the human condition. By comparing and contrasting musical offerings in a number of countries and in different contexts from the 19th century until today, The Routledge History of Social Protest in Popular Music aims to be a probing introduction to the history of social protest music, ideal for popular music studies and history and sociology of music courses.

This new edition of T. V. Reed's acclaimed work offers engaging accounts of ten key progressive movements in postwar America, from the African American struggle for civil rights beginning in the 1950s to Occupy Wall Street and Black Lives Matter in the twenty-first century. Reed focuses on the artistic activities of these movements as a lively way to frame progressive social change and its cultural legacies: civil rights freedom songs, the street drama of the Black Panthers, revolutionary murals of the Chicano movement, poetry in women's movements, the American Indian Movement's use of film and video, anti-apartheid rock music, ACT UP's visual art, digital arts in #Occupy, Black Lives Matter rap videos, and more. Through the kaleidoscopic lens of artistic expression, Reed reveals how activism profoundly shapes popular cultural forms.

Author and radical artist Nicolas Lampert combines historical sweep with detailed examinations of individual artists and works in a politically charged narrative that spans the conquest of the Americas, the American Revolution, slavery and abolition, western expansion, the suffragette movement and feminism, civil rights movements, environmental movements, LGBT movements, antiglobalization movements, contemporary antiwar movements, and beyond. This book introduces us to key works of American radical art alongside dramatic retellings of the histories that inspired them.

Songs of the American labor movement over the 20th century called for just wages, dignity, and a fair shake. They voiced grievances, affirmed the value of the worker to society, and expressed hope for life in a more just world. Classic Labor Songs from Smithsonian Folkways is a collage of these voices—champions of the movement, singing songs with a passion and love for their fellow workers that rings just as true today as it did then. Woody Guthrie, Pete Seeger, Joe Glazer, the Almanac Singers, and more chronicle the history of the American labor movement in stirring song.

Joe Glazer knows the feelings and aspirations of the textile workers. He has marched on their picket lines and sung in their union halls. With the songs and stories on this record, he reminds us of the unquenchable spirit and courage of the textile workers and their struggle to build a union which will give them a real voice on the job.

War, social injustice, personal plaints, and calls for action have long fueled musical creation and performance. In Classic Protest Songs, Mark Gustafson and Jeff Place tap the historic Smithsonian audio collections to compile 22 songs favored by leaders of antiwar, civil rights, industrial labor, farm worker, and other struggles to air their grievances.